Browse Items (491 total)

This is a silver baluster snuff mull with the heraldic arms of Cluny MacPherson set within a foliated scroll formed cartouche. The museum purchased the mull at auction in 2015 specifically for the Jacobite collection. This special object purportedly…

A pale green striped silk waistcoat that has been embroidered with rosebuds and silver thread. It is a textile with a fascinating history. The waistcoat once belonged to Prince Charles Edward Stuart (1720 - 1788). It was quite common for Charles to…

Three examples of portraits after the engraving by Robert Strange (1721 -1792). Strange’s engraving was based on the Allan Ramsay (1713 – 1784) portrait of Prince Edward Stuart painted in Edinburgh in 1745. Miniatures like these were copied and…

Portrait of Donald Cameron of Lochiel (1695–1748), ‘The Gentle Lochiel' in a gilt frame. Although this is a copy of a George Chalmers (1720–c.1791) original made 20 years after Lochiel’s death it is an important painting as very few images of the…

This is a very fine portrait of Clementina Walkinshaw (1720–1802), by renowned Scottish artist Allan Ramsay (1713 – 1784). Clementina became the mistress of Prince Charles Edward Stuart (1720 - 1788) in Scotland during the 1745 Rising. They…

This unimposing curved stool made from a tree root has a fascinating history. A label attached to the object states “Stool on which Prince Charlie sat when in hiding in Uist after Culloden.” It was given to the pioneering Victorian folklorist…

A large round boulder with a hole bored partially through it. This is a stone with an iconic history. It was originally from Glenfinnan and by tradition is thought to have been used to support the Standard of Prince Charles Edward Stuart when it was…

A prayer book titled “A Manual for A Christian”. The prayer book was rebound in the 19th century when the inner and outer case were added. Sadly, no publication information survived this process. The book was gifted to the museum in 2018. It is…

A beautifully carved powder horn with a detailed Celtic design. Powder horns were generally made from horn and used to store gunpowder. This particular object is of great importance as by tradition it belonged to the Gaelic poet, Alasdair…

A catalogue for the 1925 West Highland Museum’s exhibition titled “Prince Charles Edward and the ’45 Campaign”. The West Highland Museum was founded in 1922 by a group of local history enthusiasts under the guidance of museum founder, Victor Hodgson.…

A two-sided chair with an embroidered velvet seat said to have been used by Prince Charles Edward Stuart (1720 - 1788). The embroidered inscription reads “August 23 1745 Prince Charles Edward stayed the first night of his march to Inverness with John…

A tooth mounted in a hand-carved ivory frame. The tooth is said to have belonged to Prince Charles Edward Stuart (1720 - 1788). It is very rare and thought to be the only known example of a tooth from the Prince in any museum collection. The tooth is…

Tortoiseshell framed spectacles with a leather case said to have belonged to Lord Lovat. Simon Fraser, 11th Lord Lovat, (1667 – 1747) was chief of clan Fraser, and a Jacobite nicknamed the ‘Old Fox’ for his double-dealings, violent feuds and changes…

A fine example of a mid-18th century drinking glass with an air twist stem, engraved with Jacobite symbols. Drinking toasts to the exiled Stuart dynasty was an important part of Jacobite secret culture. Jacobites would often pass their glass over a…

A circular box with an enamel tartan decoration. The hinged cover opens to expose a plain interior. However, the hidden double lid opens to reveal a finely enamelled portrait of Prince Charles Edward Stuart (1720 - 1788) dressed in a tartan jacket…

A hard tartan jacket made in Uist. With linen lined sleeves. The colourful tartan lining differs between the skirts and bodice. It is a fantastic example of 18th century textile design. It is said to have been worn at the Battle of Culloden in 1746.…

A paper and ivory fan depicting Prince Charles Edward Stuart (1720 - 1788) with the Mars, Roman god of war, and Bellona, Roman goddess of war. They are surrounded by other classical gods. The figures to the right are reputed to be the family of the…

“Little Office of the Immaculate Conception of the Blessed Virgin Mary” prayer book. Originally bound in plain card it has decorated with an intricate design of woven coloured straw. Published by Joachim Carlier at St Omer Audomari in 1672, the…

Bone china fluted handle less tea cup and deep saucer said to have been part of a set that belonged to Flora MacDonald (1722 -1790).

A framed fragment of cloth decorated with brown sprigged stripes on a cream background. It is mounted on a glazed wooden and silver frame. The piece is said to have been from a dress worn by Flora MacDonald (1722 -1790), heroine of the 1745 Rising.…

A pair of decorative 18th century shoe buckles with paste 'jewels'. Said to have been worn by Flora MacDonald (1722 -1790). Flora was a heroine of the 1745 Jacobite Rising. After two months on the run, Prince Charles Edward Stuart arrived at the…

Prince Charles Edward Stuart's (1720 - 1788) death mask. Thought to be a copy of an original made by Barnar dina Lucchesi, one of a family of modellers in Rome. brought this mask to Scotland in 1839. The mask had been handed down through his family.…

Metal knife blade with no handle. Although the knife is poorly constructed and rusting its important because it was purportedly found on Drumossie Moor near Inverness. This was the site of the Battle of Culloden, the last engagement of the 1745…

Print made by the prominent Scottish artist and etcher Sir D Y Cameron (1865 -1945). In 1928 The Strange Plate came into the museum’s collection, a copper plate made in 1746 and intended to print bank notes for the Jacobite cause. Cameron, was…

A copper printing plate commissioned by Prince Charles Edward Stuart (1720 - 1788) in 1746. Designed and etched by the artist Robert Strange (1721 -1792), the plate is completely unique and was intended to be used to print bank notes during the…

An anamorphic hidden painting of Prince Charles Edward Stuart (1720 - 1788). At first glance the object appears to be a smear of oil paints on a black wooden board, but when paired with a mirrored cylinder, the true nature of this unique object is…
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