<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://whm100.org/omeka/items/show/41">
    <dcterms:title><![CDATA[Hidden portrait snuff box]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[A circular box with an enamel tartan decoration. The hinged cover opens to expose a plain interior. However, the hidden double lid opens to reveal a finely enamelled portrait of Prince Charles Edward Stuart (1720 - 1788) dressed in a tartan jacket with the orders of the Garter and Thistle decorations, white cockade and blue bonnet. Hidden portrait snuff boxes such as this are amongst the most iconic Jacobite works of art. This example is in particularly good condition and finely enamelled. The portrait is a variant of the famous Robert Strange example which likely date this piece to circa 1750. Purchased in 2019 with the assistance of the Art Fund and National Fund for Acquisitions.]]></dcterms:description>
    <dcterms:creator><![CDATA[After Robert Strange]]></dcterms:creator>
    <dcterms:date><![CDATA[1750]]></dcterms:date>
    <dcterms:><![CDATA[16/12/2020]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[Diam 73 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[13]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/35">
    <dcterms:title><![CDATA[Tartan jacket]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[A hard tartan jacket made in Uist. With linen lined sleeves. The colourful tartan lining differs between the skirts and bodice. It is a fantastic example of 18th century textile design. It is said to have been worn at the Battle of Culloden in 1746. The battle on Drummossie Moor outside Inverness, was the last pitched battle to be fought on British soil and the final engagement of the 1745 Rising fought between the Jacobite and Hanovarian armies.]]></dcterms:description>
    <dcterms:creator><![CDATA[Scottish Highlands & Islands]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:><![CDATA[24/12/2020]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 780 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Carmichael Collection]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[12]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.4876938,-4.1421711;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/30">
    <dcterms:title><![CDATA[Holyrood Ball fan]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[A paper and ivory fan depicting Prince Charles Edward Stuart (1720 - 1788) with the Mars, Roman god of war, and Bellona, Roman goddess of war. They are surrounded by other classical gods. The figures to the right are reputed to be the family of the Hanoverian King George II fleeing. This design is by tradition attributed to Robert Strange, the Jacobite engraver.  These fans were said to have been distributed to ladies at a ball at the Palace of Holyroodhouse in Edinburgh in 1745. Prince Charles held the ball to celebrate the Jacobite victory at the Battle of Prestonpans. They are an important example of Jacobite material culture.]]></dcterms:description>
    <dcterms:creator><![CDATA[Robert Strange]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[1745]]></dcterms:date>
    <dcterms:><![CDATA[24/12/2020]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 279 mm x W 127 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[11]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,55.9526754,-3.1723345;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/26">
    <dcterms:title><![CDATA[Flora MacDonald's prayer book]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[“Little Office of the Immaculate Conception of the Blessed Virgin Mary” prayer book. Originally bound in plain card it has decorated with an intricate design of woven coloured straw. Published by Joachim Carlier at St Omer Audomari in 1672, the prayer book was one of the most popular devotions of the Roman Catholic laity before the Reformation. The prayer book belonged to Flora MacDonald’s mother and was used by Flora. The straw decoration is rare, the only known examples of similar works of books decorated with woven straw found in the United Kingdom date from a later period and were made by Napoleonic prisoners of war.]]></dcterms:description>
    <dcterms:creator><![CDATA[Joachim Carlier]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[1672]]></dcterms:date>
    <dcterms:><![CDATA[06/08/2025]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 76 mm x W 51 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[10]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.51403657070635,-6.355322599411012;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/23">
    <dcterms:title><![CDATA[Flora MacDonald's tea cup]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[Bone china fluted handle less tea cup and deep saucer said to have been part of a set that belonged to Flora MacDonald (1722 -1790).]]></dcterms:description>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:><![CDATA[24/12/2020]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[Diam 142 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[9]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.514313164016485,-6.355236768722535;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/20">
    <dcterms:title><![CDATA[Flora MacDonald's dress]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[A framed fragment of cloth decorated with brown sprigged stripes on a cream background. It is mounted on a glazed wooden and silver frame. The piece is said to have been from a dress worn by Flora MacDonald (1722 -1790), heroine of the 1745 Rising. Flora helped the Prince escape while he was on the run from the Hanoverian army in 1746. She obtained permission from her step-father, the head of the local militia, to travel from South Uist to the mainland, accompanied by two servants and a crew of six boatmen.  Famously, the Prince was disguised as Betty Burke, her Irish maid. Flora quickly became a celebrated heroine of the Rising and relics associated with her became very collectable.]]></dcterms:description>
    <dcterms:creator><![CDATA[Joachim Carlier]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[1672]]></dcterms:date>
    <dcterms:><![CDATA[23/12/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 76 mm x W 51 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[8]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.514134531076856,-6.354676187038422;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/18">
    <dcterms:title><![CDATA[Flora MacDonald's shoe buckles]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[A pair of decorative 18th century shoe buckles with paste 'jewels'. Said to have been worn by Flora MacDonald (1722 -1790).  
</br/>
Flora was a heroine of the 1745 Jacobite Rising. After two months on the run, Prince Charles Edward Stuart arrived at the island of South Uist where he met 24 year-old Flora. As both her step-father and her fiancée Allan MacDonald were in the Hanoverian army of King George II, she was an unlikely ally. However, she agreed to help the Prince escape from his pursuers by smuggling him away from the island by boat.]]></dcterms:description>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:><![CDATA[12/03/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[vanessa]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 51 mm x W 38mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[7]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.5135457,-6.3552075;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/15">
    <dcterms:title><![CDATA[The Prince's death mask]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[Prince Charles Edward Stuart's (1720 - 1788) death mask. Thought to be a copy of an original made by Barnar dina Lucchesi, one of a family of modellers in Rome. brought this mask to Scotland in 1839. The mask had been handed down through his family. Lucchesi settled in Glasgow where he continued to work as a modeller until 1863. Lucchesi fell on hard times and some of his belongings, including the mask, were sold. Eventually the mask ended up being purchased by a sculptor named Ferguson. When it came into Ferguson's possession it was said to have hairs attached adhering to the eyebrows and eyelids! This bronze cast of the death mask was loaned to the museum in 1951 by the Scottish independence campaigner Wendy Wood.]]></dcterms:description>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:><![CDATA[05/04/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[vanessa]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 250 mm x 160 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[6]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,55.85874347803429,-4.250679016113282;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/13">
    <dcterms:title><![CDATA[Culloden knife]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[Metal knife blade with no handle. Although the knife is poorly constructed and rusting its important because it was purportedly found on Drumossie Moor near Inverness. This was the site of the Battle of Culloden, the last engagement of the 1745 Rising.  Interestingly, it was loaned to the museum in 1925 for the “Prince Charles Edward and the ’45 Campaign” exhibition by Mrs A. Mansfield-Forbes, a close friend of the museum’s founder Victor Hodgson. It was never reclaimed by its owner and has remained in our care ever since. However, in 2019, Mrs Mansfield-Forbes’ great grandson contacted the museum after he found a loans form and correspondence relating to the loan while researching his genealogy. The knife was officially gifted to the museum in 2019 along with copies of correspondence from the original lender.]]></dcterms:description>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:><![CDATA[16/12/2020]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 89 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[5]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.4877247,-4.1422115;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/9">
    <dcterms:title><![CDATA[The Strange Plate print]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[Print made by the prominent Scottish artist and etcher Sir D Y Cameron (1865 -1945). 
</br/>
In 1928 The Strange Plate came into the museum’s collection, a copper plate made in 1746 and intended to print bank notes for the Jacobite cause. Cameron, was one of the earliest supporters of the museum which was founded in 1922. As one of the foremost printers of his day, he printed 57 signed proofs from the plate and these were sold for 10/6 to raise funds for the museum. Prints sold at auction in 2019 and 2020 made £875 and £1,625 respectively. The object featured in the West Highland Museum’s “Prince Charles Edward and the ’45 Campaign” exhibition, 1925.]]></dcterms:description>
    <dcterms:creator><![CDATA[Sir David Young Cameron]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[1928]]></dcterms:date>
    <dcterms:><![CDATA[23/12/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[eulac3d]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 285 mm x H 28 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[4]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,56.817595103054764,-5.111031085252763;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/5">
    <dcterms:title><![CDATA[The Strange Plate]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[A copper printing plate commissioned by Prince Charles Edward Stuart (1720 - 1788) in 1746. 
</br/>
Designed and etched by the artist Robert Strange (1721 -1792), the plate is completely unique and was intended to be used to print bank notes during the 1745 Rising, but was never used. When the Jacobite army was defeated at the Battle of Culloden, the army fled and the plate was found abandoned at Loch Laggan. It was presented to Clan MacPherson and remained in their care until the museum purchased it in 1928. The object featured in the West Highland Museum’s “Prince Charles Edward and the ’45 Campaign” exhibition, 1925.]]></dcterms:description>
    <dcterms:creator><![CDATA[Robert Strange]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,culloden,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[1746]]></dcterms:date>
    <dcterms:><![CDATA[12/03/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[vanessa]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 215 mm x W 203 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[3]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,57.47888063629827,-4.225573539733888;]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://whm100.org/omeka/items/show/2">
    <dcterms:title><![CDATA[The Secret Portrait]]></dcterms:title>
    <dcterms:subject><![CDATA[Jacobite]]></dcterms:subject>
    <dcterms:description><![CDATA[An anamorphic hidden painting of Prince Charles Edward Stuart (1720 - 1788).  At first glance the object appears to be a smear of oil paints on a black wooden board, but when paired with a mirrored cylinder, the true nature of this unique object is revealed. Prince Charlie is reflected right back at you!  Discovered by chance in a London junk shop in 1924 and purchased for £8 by the museum’s founder, Victor Hodgson, it has been a star object in our collection ever since. In the 18th century it was treasonable to support the exiled Stuart dynasty, so their supporters known as Jacobites, devised ways to secretly display their loyalty. They developed an elaborate series of codes and symbols to hide their allegiances from the ruling Hanoverian regime. This is one of the most unusual examples of Jacobite material culture. The portrait would have been used to drink toasts to the exiled Prince. If a non-Jacobite came into the room, the cylinder could be whisked away and allegiances hidden. The Secret Portrait featured in the West Highland Museum’s “Prince Charles Edward and the ’45 Campaign” exhibition, 1925.]]></dcterms:description>
    <dcterms:creator><![CDATA[Jacobites ]]></dcterms:creator>
    <dcterms:source><![CDATA[1745_rising,objects,jacobite]]></dcterms:source>
    <dcterms:date><![CDATA[18th century]]></dcterms:date>
    <dcterms:><![CDATA[05/04/2021]]></dcterms:>
    <dcterms:contributor><![CDATA[vanessa]]></dcterms:contributor>
    <dcterms:extent><![CDATA[L 356 mm X W 279 mm]]></dcterms:extent>
    <dcterms:medium><![CDATA[West Highland Museum]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[2]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[find,51.50532341149335,-0.12187957763671876;]]></dcterms:spatial>
</rdf:Description></rdf:RDF>
